Television Star Dies Suddenly at 46

James Ransone, the actor known for his role as Chester “Ziggy” Sobotka in The Wire, died by suicide on December 19, 2025, in Los Angeles. He was 46 years old.

The LA County medical examiner confirmed the cause of death as hanging. Ransone’s death marks the loss of a versatile character actor who appeared in numerous film and television projects over more than two decades.

Born June 2, 1979, in Baltimore, Maryland, Ransone attended the Carver Center for Arts and Technology. His Maryland roots would later prove significant when he landed his breakthrough role in The Wire, playing a Baltimore dock worker in the show’s second season.

Ransone appeared in 12 episodes of The Wire in 2003, portraying Ziggy Sobotka, the impulsive son of a union leader whose schemes and reckless behavior made him one of the most memorable characters in the series. His performance captured the desperation and dysfunction of working-class Baltimore life that defined the show’s exploration of urban America.

Following The Wire, Ransone continued his collaboration with creator David Simon, appearing as Corporal Josh Ray Person in the miniseries Generation Kill. He later appeared in another Simon production, Treme, further cementing his relationship with the acclaimed television producer.

In film, Ransone built a notable career in the horror genre. He portrayed Eddie Kaspbrak in the 2019 blockbuster It: Chapter Two, joining an ensemble cast in the adaptation of Stephen King’s novel. His other horror credits included Sinister, The Black Phone, and Black Phone 2, establishing him as a recognizable presence in the genre.

Ransone also appeared in Sean Baker’s independent film Tangerine, demonstrating his range beyond mainstream productions. His television work extended to series including Bosch and Poker Face, with his final TV appearance occurring in Poker Face Season 2 in June 2025.

The actor was married to Jamie McPhee, his wife, and the couple had two children: Jack and Violet.

Ransone had been open about personal struggles throughout his life. In 2021, he revealed that he had been sexually abused by a former tutor when he was age 12 in 1992. The trauma from that experience contributed to years of difficulty, including a struggle with heroin addiction that lasted for five years.

The actor got sober at age 27 in 2006, a turning point that came shortly before his work on Generation Kill. He reflected on that period of his life and how sobriety had transformed his approach to his career and personal development.

Tributes poured in from colleagues and collaborators following news of Ransone’s death. Filmmakers David Simon, Sean Baker, and Spike Lee expressed their condolences. The three directors had each worked with Ransone on multiple projects throughout his career.

Ransone’s career trajectory illustrated the challenges and opportunities facing character actors in contemporary film and television. While he achieved recognition for specific roles, particularly Ziggy Sobotka in The Wire, he successfully avoided typecasting by moving between independent films, mainstream horror productions, and prestige television.

His work in Generation Kill showcased his ability to portray real-life figures with authenticity and depth. The miniseries, based on a journalist’s embedded experience with Marines during the 2003 invasion of Iraq, required actors to capture the complexity of military service and combat. Ransone’s performance as Corporal Josh Ray Person demonstrated his range beyond the troubled characters that had initially defined his career.

The Baltimore arts community, where Ransone received his early training, represented an important foundation for his later success. His education at a specialized arts and technology center provided the skills and confidence necessary to pursue a professional acting career in a highly competitive industry.

Ransone’s willingness to discuss his experiences with addiction and abuse reflected a broader cultural shift toward openness about mental health and trauma. His public statements about these challenges provided insight into the personal costs of early trauma and the ongoing work required to maintain recovery and emotional wellbeing.

The horror film community, where Ransone found consistent work in recent years, has faced questions about the emotional toll of repeatedly engaging with dark material. Actors in the genre often discuss the challenge of inhabiting disturbing scenarios and characters while maintaining psychological health. Ransone’s roles in films like Sinister and The Black Phone required him to portray characters confronting extreme violence and danger.

His final screen appearance in Poker Face represented a return to television after focusing primarily on film work. The series features a mystery-of-the-week format that has attracted numerous notable actors for guest appearances.

Industry colleagues remembered Ransone not only for his on-screen work but also for his collaborative spirit and professionalism. His ability to move between independent productions and larger studio projects demonstrated versatility that extended beyond acting to include adaptability to different production environments and working methods.

The circumstances of Ransone’s death underscore ongoing concerns about mental health support and suicide prevention, particularly within the entertainment industry. Industry professionals face unique pressures including irregular employment, public scrutiny, and the emotional demands of inhabiting complex characters.

Ransone’s legacy includes memorable performances across multiple genres and formats, from prestige cable dramas to independent films to mainstream horror productions. His work contributed to projects that achieved both critical acclaim and popular success, leaving a body of work that will continue to reach audiences through streaming platforms and repertory screenings.

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